| Steel String Guitar(Archtop/Flat-top) |
| Item Number |
Nut Width |
Scale Length |
Model |
Comments |
Payment |
| S1.257 |
1.257 |
22.50 |
1930 Martin® Tenor |
Similar to, but slightly bigger than most tenor banjo necks |
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| S1.338 |
1.338 |
22.50 |
1966 Martin® 8 String Tenor |
A rare example, could also be used as an octave mandolin |
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| S1.639 |
1.639 |
25.25 |
1999 Ovation® Celebrity |
A very slim neck popular amongst people who play mostly electric guitars |
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| S1.690 |
1.690 |
24.75 |
1945 Martin® 000-18 |
A shorter scale length and thicker than a similar period OM |
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| S1.692 |
1.692 |
25.50 |
2005 Collings Archtop |
Narrow and slim with a slight V shape |
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| S1.693 |
1.693 |
24.75 |
1940 Martin® 000-28 |
Narrower but thicker than its modern equivalent |
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| S1.694 |
1.694 |
25.25 |
1982 Ovation® Balladeer Model 1617 |
Similar to S1.639 but a bit bigger all the way around |
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| S1.700 |
1.700 |
25.50 |
2006 Collings D1 |
Similar in width to a modern Martin but slightly thicker and more V shaped |
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| S1.708 |
1.708 |
25.40 |
2006 Martin® HD-28 |
The modern standard for bluegrass |
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| S1.719 |
1.719 |
25.40 |
2004 Steve Anderson Archtop |
Distinctly asymmetrical |
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| S1.720 |
1.720 |
24.75 |
1956 Gibson® J-45 |
A fairly narrow semicircular neck, particularly good for bar chords |
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| S1.725 |
1.725 |
25.50 |
2005 Maton ™ EBG808 T. Emmanuel |
Works well for Tommy, who has his action set very low with no neck relief |
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| S1.731 |
1.731 |
24.75 |
1955 D'Angelico New Yorker |
A very strong radius on fingerboard makes it excellent for bar chording |
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| S1.741 |
1.741 |
25.4 |
1935 Martin ® D-18 |
Similar to, but thicker and wider, than its modern equivalent |
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| S1.751 |
1.751 |
25.40 |
2001 Martin® D18VS 12 Fret |
Strong V shape with wide string spacing at the bridge |
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| S1.755 |
1.755 |
25.70 |
2004 Ryan Cathedral Grand Fingerstyle |
A good example of what modern finger style players prefer |
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| S1.758 |
1.758 |
25.50 |
1997 Taylor® Jumbo Cutaway |
A good generic neck, comfortable with a variety of playing styles |
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| S1.760 |
1.760 |
25.40 |
1930 Martin® OM |
The holy grail of finger style guitars with a very slight V shape |
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| S1.762 |
1.762 |
25.40 |
2006 Martin® OM |
A stronger V shape than its predecessor |
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| S1.768 |
1.768 |
25.50 |
2006 Taylor® Grand Concert |
A popular guitar and an even more popular neck |
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| S1.770 |
1.770 |
25.50 |
2006 Goodall™ KCJC |
Slightly wider than most at the bridge |
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| S1.771 |
1.771 |
25.50 |
2006 Collings OM |
Rounder profile than the Martin™ |
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| S1.776 |
1.776 |
25.50 |
2006 Goodall™ Grand Concert |
Slightly wider and slimmer than S1.770 |
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| S1.787 |
1.787 |
25.00 |
2006 Goodall™ THR-000 12 Fret |
A touch wider than most Goodall's™ with a shorter scale |
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| S1.825 |
1.825 |
25.40 |
2006 Victor Model I |
Wider than most at the nut; particularly good for modern finger style |
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| S1.830 |
1.830 |
24.75 |
1990 Santa Cruz™ F |
Fairly thick and wide neck good for those with extra large hands |
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| S1.866 |
1.866 |
24.75 |
1922 Martin® 0-28 |
A typical Martin neck just before the advent of truss rods |
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| S1.875 |
1.875 |
25.50 |
2002 Larivee® 12 String |
One of the slimmest 12 string necks on the market |
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| S1.883 |
1.883 |
25.00 |
1892 Martin® 0-21 |
The strongest V shape in the entire collection, great if you like to fret the bass string with your thumb |
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| S1.885 |
1.885 |
25.50 |
1996 Taylor® 12 String Model 655 |
A touch wider than the Larivee at both the nut and the bridge |
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| Classical Guitar |
| Item Number |
Nut Width |
Scale Length |
Model |
Comments |
Payment |
| C48.0 |
48.0mm |
647mm |
2004 Taylor® NS-42CE |
Slim D shape, hybrid electric nylon string |
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| C50.0 |
50.0mm |
650mm |
2006 EVD Pearl Model |
Rounder than the Taylor, with similarly radiused fingerboard, hybrid jazz classical |
|
| C51.6 |
51.6mm |
630mm |
1958 Goya |
Short scale, very slightly radiused fingerboard, good for small hands |
|
| C51.7 |
51.7mm |
655mm |
1968 Antonio Marin Flamenco |
Thinner and narrower than most concert classicals; this guitar was originally owned by Paco de Lucia |
|
| C52.0 |
52.0mm |
650 |
2006 EVD Concert Classical |
Slimmer and rounder than most concert classicals, very slightly radiused fingerboard |
|
| C52.73 |
52.73mm |
650mm |
1999 Robert Ruck |
Traditional D shape, flat fingerboard |
|
| C53.2 |
53.2mm |
665mm |
1969 Ramirez Concert Classical |
Big neck with an extra long scale for big hands - it worked for Segovia |
|
| C53.3 |
53.3mm |
650mm |
2002 German Vasquez Rubio |
Another big neck but with a rounder profile and a normal scale by one of Mexico's premier luthiers |
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| C58.0 |
58.0mm |
650mm |
2005 EVD 7 String |
Extra bass string, string spacing similar to his Pearl Model |
|
| C68.0 |
68.0mm |
650mm |
2002 EVD 8 String |
Extra treble and bass string, with slightly narrower string spacing than his 7 string |
|
| C80.0 |
80.0mm |
650mm |
1985 EVD 10 String |
Humongous neck, bass strings are tuned diatonically like a theorbo and rarely fretted |
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| Mandolin, Mandola, Banjo, Ukulele, etc. |
| Item Number |
Nut Width |
Scale Length |
Model |
Comments |
Payment |
| B1.187 |
1.187 |
26.375 |
1974 Gibson® Mastertone Banjo |
4 neck contours @ frets # 1, 4, 5, & 15 - excellent example of a traditional bluegrass banjo |
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| B1.197 |
1.197 |
26.375 |
1994 Gibson® Mastertone RB-4 Banjo |
3 neck contours @ frets # 1, 5, & 15 - slightly bigger all the way around than B1.187 for a more contemporary feel |
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| B1.300 |
1.300 |
26.125 |
1998 Bart Reiter Tubaphone banjo |
4 neck contours A frets # 1, 4, 5, & 14 -excellent example of a modern clawhammer style banjo |
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| M1.088 |
1.088 |
13.875 |
1923 Lloyd Loar Gibson® F-5 |
Narrow by modern standards with an almost flat fingerboard |
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| M1.131 |
1.131 |
13.875 |
1984 Monteleone™ Grand Artist F-5 |
Thinner than the Loar with a strongly radiused fingerboard |
|
| M1.133 |
1.133 |
13.875 |
2006 Collings F |
Wider string spacing @ the bridge than the Loar, radiused fingerboard |
|
| M1.145 |
1.145 |
13.875 |
1988 Gibson® F-5 |
Stronger V shape than the Loar with slightly wider string spacing, radiused fingerboard |
|
| M1.202 |
1.202 |
16.600 |
1984 Steve Anderson Mandola |
Significantly wider string spacing @ the bridge and rounder than a Gibson |
|
| M1.226 |
1.226 |
13.875 |
1918 Gibson® A-4 |
Very strong V shape and flat fingerboard |
|
| M1.232 |
1.232 |
26.375 |
2004 Trinity College™ Bouzouki |
Flat fingerboard, extra long scale |
|
| M1.295 |
1.295 |
25.400 |
1999 EVD Octave Mandolin |
Radiused fingerboard, wider string spacing than the Trinity College version |
|
| M1.350 |
1.350 |
15.750 |
1917 Gibson® H-4 Mandola |
Wider @ the nut but narrower @ the bridge than the Anderson, V shape |
|
| U1.360 |
1.360 |
16.875 |
1973 Martin® Tenor Ukulele |
|
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| U1.424 |
1.424 |
13.625 |
1947 Martin® Soprano Ukulele |
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| U1.425 |
1.425 |
14.750 |
1938 Martin® Concert Ukulele |
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| Electric Guitar |
| Item Number |
Nut Width |
Scale Length |
Model |
Comments |
Payment |
| E1.585 |
1.585 |
29.88 |
1965 Hofner® Beatle Bass |
Much shorter scale and narrower than a Fender, good for small hands |
|
| E1.640 |
1.640 |
25.50 |
2000 Tom Anderson Stratocaster® |
A touch narrower and thinner than most Fenders |
|
| E1.652 |
1.652 |
25.50 |
1960 Fender® Stratocaster® |
Considered by some to be the most versatile neck ever made |
|
| E1.660 |
1.660 |
25.50 |
1969 Fender® Telecaster® |
Thicker than most Strats, especially at the nut end |
|
| E1.687 |
1.687 |
24.50 |
2005 Gibson® Les Paul ® |
Rounder profile than a Fender, with a shorter scale |
|
| E1.695 |
1.695 |
24.60 |
1992 Gibson® ES335 |
More D shaped profile than a Les Paul |
|
| E1.700 |
1.700 |
24.60 |
2005 Gibson® SG |
Similar to a Les Paul but a touch wider |
|
| E1.706 |
1.706 |
25.50 |
2002 Jackson™ SL2H Soloist |
Very thin and flatter on the back than a Fender™ |
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| E1.720 |
1.720 |
25.50 |
1957 Gretsch™ Country Gentleman |
Bigger all around than most electrics, a true acoustic/electric |
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